Nice to see that our yes (we are open) sign has had such pervasive influence in the area - after 6 years, the yes has travelled! These two murals are done along the 80ft side walls of the tunnel (under the BQE) next to the York St F station.
as it was for 7 years - now no longer out front. spring is now open by appointment.
Sagmeister and Walsh collaborated with renowned Japanese illustrator Yuko Shimiza and created two large typographic messages to sit on the facing walls - both hand painted by Coby Kennedy.
the power of yes
Labels:
Brooklyn,
Coby Kennedy,
Dumbo,
mural,
street art,
Yoko Shimizu
poised
Just fantastic!
Paul Cocksedge's CAPTURE SHOW at Friedman Benda 515 W26th St
September 12th - October 12th
Poised has the grace and suppleness of paper. Rolling a sheet of steel like this soon reaches a point just short of where it could not exist as a table; it would simply topple. This led to an intensive process of calculation regarding gravity, mass and equilibrium.
Poised achieves an improbable degree of balance and precision: one millimeter’s horizontal deviance in any direction and the balance would be lost.
!
Labels:
CAPTURE SHOW,
Friedman Benda,
Paul Cocksedge,
Poised
out and about
met up with Constantin Boym at the Campana Brothers at the opening of their show at Friedman Benda last night. Although pieces like the stuffed toy crocodile chair are always popular, our favorites were the more subtle worn wicker chair (a woven nylon thread mesh provides the support) and the dark wood scrap table
the road to abstraction
Labels:
Malevich,
MoMA,
MTA,
Museum of Modern Art,
street art,
wall art
the writing is on the wall
Labels:
graffiti,
Kenmare St,
LES,
Lower East Side,
NYC,
street art
seeing clearly
we saw Alyson Shotz's Mirror Fence at Storm King upstate over the weekend - really great.
Its reflective pickets, which extend in a straight line, enclose nothing. As Shotz has described her practice, "I'm interested in making objects that change infinitely, depending on their surroundings. The light at different times of day, the weather…what the viewers are wearing, all these are just some of the variables that will make the piece different every time one comes in contact with it. For me an ideal work of art is one that is ultimately unknowable in some way."
Its reflective pickets, which extend in a straight line, enclose nothing. As Shotz has described her practice, "I'm interested in making objects that change infinitely, depending on their surroundings. The light at different times of day, the weather…what the viewers are wearing, all these are just some of the variables that will make the piece different every time one comes in contact with it. For me an ideal work of art is one that is ultimately unknowable in some way."
Labels:
Alyson Shotz,
Mirror Fence,
Storm King
reminder
Sandy's impact on New York made me think of a postcard collage I made in 1997 - luckily this time was not this bad (and there weren't giant ducks to contend with)
you can see more New York collages here
click on image to enlarge
you can see more New York collages here
click on image to enlarge
moving images
Michal Rovner's paintings that move and projections on black limestone slabs at the PACE gallery in Chelsea
have a look here
Labels:
Michel Rovner,
Pace Gallery,
typography
amazing 3D
came across this amazing new tool for 3D visualization (ideal for architects) at the WANTED DESIGN presentation of this new city app created by urbasee
click on image to enlarge
definitely the descendent of the magic eye 3D postcards - remember them?
click on image to enlarge
definitely the descendent of the magic eye 3D postcards - remember them?
Labels:
3D imaging,
3D model,
magic eye,
urbane,
wanted design
party night
David Weeks, Margaret Russell & Ralph Pucci |
click on image to enlarge
Labels:
David Weeks,
Elle Decor,
Margaret Russell,
Pucci showroom,
Ralph Pucci,
Top Design
underground parking
just caught the exhibition of the LowLine on Essex St - very impressive project for the underground development of the old tram station underneath Delancey St which was abandoned in 1948 - read more here. For some reason the show ended today - early. We were the last people there, nearly getting locked in
The lighting is collected and channeled sunlight! click on image to enlarge
Labels:
Delancey St,
highline,
LES,
Lower East Side,
lowline,
NYC
kiss kollage
some randomization of kiss as construction boards get moved around (Houston and Ave A)
click on image to enlarge
click on image to enlarge
Labels:
Ave A,
East Houston St,
graffiti,
Kiss,
LES,
Lower East Side,
New York,
NYC,
street art
surreal
Labels:
Giacometti,
MoMA,
Museum of Modern Art,
New York,
NYC,
sculpture garden
Subscribe to:
Posts (Atom)